“The Dream of Eros” by Óscar Esplá and Mahler’s Symphony No. 5
National Orchestra of Spain
Conductor: Pablo González
Óscar Esplá — *The Dream of Eros*
Gustav Mahler — Symphony No. 5
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National Orchestra and Choir of Spain
Founded in 1937 by the government of the Second Spanish Republic as the National Concert Orchestra, the ensemble gave a brief series of concerts in Barcelona in 1938. Under its current name — National Orchestra of Spain — it resumed activity in March 1942, following the hiatus caused by the Spanish Civil War. Since then, it has maintained an intense concert life, including its regular concert cycle in Madrid (based at the National Auditorium of Music since 1988), appearances at Spain’s foremost festivals, and tours across Spain, Europe, the Americas, and Asia.
With the start of the 2026/27 season, the National Orchestra and Choir of Spain — a unified institution since 1971 — enters a new chapter: American conductor Kent Nagano has been appointed Principal and Artistic Director. This appointment reaffirms the OCNE’s commitment to international projection.
Prior to Nagano, the orchestra’s podium was held by David Afkham (2014–2026), Bartolomé Pérez Casas, Ataúlfo Argenta, Rafael Frühbeck de Burgos, Antoni Ros-Marbà, Jesús López Cobos, Aldo Ceccato, and Josep Pons. Among guest conductors, the orchestra has worked with such legendary figures as Sergiu Celibidache, Igor Markevitch, Rafael Kubelík, Zubin Mehta, and Riccardo Muti in earlier decades — and more recently with Yuri Temirkanov, Ton Koopman, Gustavo Dudamel, Semyon Bychkov, Leonard Slatkin, Christoph Eschenbach, Pablo Heras-Casado, Giovanni Antonini, Juanjo Mena, Joana Mallwitz, Jörg Widmann, Simone Young, Anja Bihlmaier, Gemma New, Vladimir Ashkenazy, William Christie, and Susanna Mälkki.
Since September 2014, the National Orchestra and Choir of Spain has released several recordings on its own label. Earlier releases include *Sonata Suite*, winner of the Latin Grammy Award for Best Flamenco Album (2010); *El amor brujo*, featuring Estrella Morente (Deutsche Grammophon); and monographic albums dedicated to Benet Casablancas (Diverdi) and César Camarero (Kairos). More recently, the OCNE label has issued Mahler and Shostakovich symphonies conducted by David Afkham; concertante works by Ginastera and Rodrigo under Juanjo Mena; and historic restorations of works by Ramón Carnicer and Manuel García.
The National Orchestra and Choir of Spain is a production unit of the National Institute of Performing Arts and Music (INAEM), under Spain’s Ministry of Culture.
PABLO GONZÁLEZ — Conductor
Recognised as one of the most versatile and passionate conductors of his generation, Pablo González inspires both orchestras and audiences worldwide. He listens intently to every silence and every entrance of the full symphony orchestra — “weaving and imposing order upon this tonal revolution” (*OperaWorld*).
He served as Principal Conductor of the Radio and Television Orchestra and Choir of Spain (2019–2023) and of the Barcelona Symphony and National Orchestra of Catalonia (2010–2015), as Principal Guest Conductor of the Granada City Orchestra, and as Assistant Conductor of the London Symphony Orchestra.
Recent and upcoming engagements include concerts with the Royal Philharmonic Orchestra, Birmingham Symphony Orchestra, The Hallé, Helsinki Philharmonic, Deutsche Kammerphilharmonie Bremen, Konzerthausorchester Berlin, Frankfurt Radio Symphony, Dresden Philharmonic, Gürzenich-Orchester Köln, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern, Strasbourg Philharmonic, Orchestre National d’Île-de-France, Stavanger Symphony, Residentie Orkest, Liège Philharmonic, Orchestra della Svizzera Italiana, National Symphony Orchestra of Mexico, and Buenos Aires Philharmonic. In Spain, he maintains close ties with all major symphony orchestras, regularly performing with them at international festivals.
As an opera conductor, highlights include *Don Giovanni* and *L’elisir d’amore* in two successful Glyndebourne Tour productions; *Carmen* at the San Sebastián Quincena Musical; *Una voce in off*, *La voix humaine*, *Die Zauberflöte*, *Daphne*, and *Rienzi* at the Gran Teatre del Liceu (Barcelona); and *Tosca* and *Madama Butterfly* at the Oviedo Opera.
He has collaborated with soloists including Maxim Vengerov, Nikolai Lugansky, Javier Perianes, Khatia Buniatishvili, Beatrice Rana, Renée Capuçon, Gautier Capuçon, Sol Gabetta, Anne-Sophie Mutter, Isabelle Faust, Frank Peter Zimmermann, Arcadi Volodos, Viktoria Mullova, Johannes Moser, Truls Mørk, and Viviane Hagner.
Among his discography are a three-volume monograph on Enrique Granados and a CD featuring Bizet’s suites from *Carmen* and *L’Arlésienne*, recorded with the Barcelona Symphony and National Orchestra of Catalonia for Naxos. Pablo González enjoys an ongoing collaboration with the Deutsche Radio Philharmonie Saarbrücken Kaiserslautern (DRP); their recording of Schumann with Lena Neudauer received the prestigious International Classical Music Award.
Born in Oviedo, he studied at the Guildhall School of Music & Drama (London). He currently resides in Oviedo.