“The Dream of Eros” by Óscar Esplá and Mahler’s Symphony No. 5
National Orchestra of Spain
Conductor: Pablo González
Óscar Esplá — “The Dream of Eros”
Gustav Mahler — Symphony No. 5
Individual ticket sales begin on 30 July 2026.
National Orchestra and Choir of Spain
Founded in 1937 by the Government of the Second Spanish Republic as the National Concert Orchestra, the ensemble gave a brief series of concerts in Barcelona in 1938. Under its current name, the National Orchestra of Spain resumed activities in March 1942 after the hiatus caused by the Spanish Civil War. Since then, it has maintained an intense concert life, including its regular season in Madrid — where it is based at the National Auditorium of Music since 1988 — as well as performances at major Spanish festivals and tours across Spain, Europe, the Americas, and Asia.
With the opening of the 2026/27 season, the National Orchestra and Choir of Spain — unified as a single institution since 1971 — enters a new chapter with the appointment of American conductor Kent Nagano as its Principal and Artistic Director. This appointment reaffirms the OCNE’s commitment to international outreach.
Prior to Nagano, the orchestra’s podium was held by David Afkham (2014–2026), Bartolomé Pérez Casas, Ataúlfo Argenta, Rafael Frühbeck de Burgos, Antoni Ros-Marbà, Jesús López Cobos, Aldo Ceccato, and Josep Pons. Among guest conductors, the orchestra has worked with legendary figures such as Sergiu Celibidache, Igor Markevitch, Rafael Kubelik, Zubin Mehta, Riccardo Muti, Yuri Temirkanov, Ton Koopman, Gustavo Dudamel, Semyon Bychkov, Leonard Slatkin, Christoph Eschenbach, Pablo Heras-Casado, Giovanni Antonini, Juanjo Mena, Joana Mallwitz, Jörg Widmann, Simone Young, Anja Bihlmaier, Gemma New, Vladimir Ashkenazy, William Christie, and Susanna Mälkki.
Since September 2014, the National Orchestra and Choir of Spain has released several recordings on its own label. Earlier releases include *Sonata Suite*, winner of the Latin Grammy Award for Best Flamenco Album (2010), and *El amor brujo* with Estrella Morente (Deutsche Grammophon), as well as monographic albums dedicated to Benet Casablancas (Diverdi) and César Camarero (Kairos). More recently, the OCNE label has published Mahler and Shostakovich symphonies conducted by David Afkham; concertante works by Ginastera and Rodrigo under Juanjo Mena; and historical rediscoveries by Ramón Carnicer and Manuel García.
The National Orchestra and Choir of Spain is a production unit under the National Institute of Performing Arts and Music (INAEM), Ministry of Culture.
PABLO GONZÁLEZ — Conductor
Recognised as one of the most versatile and passionate conductors of his generation, Pablo González inspires both orchestras and audiences worldwide, attuned to every silence and every entry of the full symphony orchestra — “weaving and ordering this tonal revolution” (OperaWorld).
He served as Principal Conductor of the Spanish Radio and Television Orchestra and Choir (2019–2023) and of the Barcelona Symphony Orchestra and National Orchestra of Catalonia (2010–2015), Guest Principal Conductor of the Granada City Orchestra, and Assistant Conductor of the London Symphony Orchestra.
Recent and upcoming engagements include concerts with the Royal Philharmonic Orchestra, Birmingham Symphony Orchestra, The Hallé, Helsinki Philharmonic Orchestra, Deutsche Kammerphilharmonie Bremen, Konzerthausorchester Berlin, Frankfurt Radio Symphony, Dresden Philharmonic, Gürzenich-Orchester Köln, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern, Strasbourg Philharmonic Orchestra, Orchestre National d’Île-de-France, Stavanger Symphony Orchestra, Residentie Orkest, Liège Philharmonic, Orchestra della Svizzera Italiana, National Symphony Orchestra of Mexico, and Buenos Aires Philharmonic. In Spain, he maintains close ties with all major symphony orchestras, regularly performing with them at international festivals.
As an opera conductor, highlights include acclaimed productions of *Don Giovanni* and *L’elisir d’amore* on two Glyndebourne Tours, *Carmen* at the San Sebastián Music Festival, *Una voce in off*, *La voix humaine*, *Die Zauberflöte*, *Daphne*, and *Rienzi* at the Gran Teatre del Liceu (Barcelona), and *Tosca* and *Madama Butterfly* at Ópera de Oviedo.
Collaborations with soloists include Maxim Vengerov, Nikolai Lugansky, Javier Perianes, Khatia Buniatishvili, Beatrice Rana, Renée Capuçon, Gautier Capuçon, Sol Gabetta, Anne-Sophie Mutter, Isabelle Faust, Frank Peter Zimmermann, Arcadi Volodos, Viktoria Mullova, Johannes Moser, Truls Mørk, and Viviane Hagner.
Among his discography are a three-volume monograph on Enrique Granados and a CD featuring Bizet’s *Carmen* and *L’Arlésienne* suites with the Barcelona Symphony Orchestra and National Orchestra of Catalonia (Naxos). Pablo González enjoys an ongoing collaboration with the Deutsche Radio Philharmonie Saarbrücken Kaiserslautern (DRP), with whom he will soon record Emmanuel Moor’s music; his Schumann recording with Lena Neudauer received the prestigious International Classical Music Award.
Born in Oviedo, Pablo González studied at the Guildhall School of Music & Drama (London). He currently resides in Oviedo.