Song of Light
ADDA Alicante Symphony Orchestra
Benedict Klöckner, cello
Margarita Balanas, guest conductor
Mozart — Symphony No. 35 “Haffner”
Haydn — Cello Concerto in C major
Mendelssohn — Symphony No. 2 “Lobgesang” (“Hymn of Praise”)
INDIVIDUAL TICKET SALES: From 30 July 2026.
BENEDICT KLÖCKNER. Cello
Benedict Klöckner is today regarded as one of the most outstanding cellists of his generation. A laureate of numerous international competitions, he maintains an intense solo career with leading orchestras worldwide, including the Royal Philharmonic Orchestra London, Deutsche Radiophilharmonie, NDR Radiophilharmonie, Mozarteum Orchester Salzburg, Kremerata Baltica, MDR Symphony Orchestra, and Munich Chamber Orchestra.
Throughout his career, he has collaborated with conductors such as Daniel Barenboim, Christoph Eschenbach, Michael Sanderling, Ingo Metzmacher, Vladimir Fedoseyev, Oana Mallwitz, Cristian Măcelaru, and Sir Simon Rattle.
His artistic presence has taken him to internationally renowned venues: Berlin Philharmonie, Carnegie Hall (New York), Kennedy Center (Washington), Suntory Hall (Tokyo), Musikverein (Vienna), Tonhalle (Zurich), and Concertgebouw (Amsterdam).
A regular guest at international festivals, he has shared stages with musicians including Emanuel Ax, Lisa Batiashvili, Gidon Kremer, and Anne-Sophie Mutter—solidifying a unique trajectory that blends solo performance, chamber music, and close ties with the world’s foremost musical institutions.
For over a decade, he has been founder and artistic director of the International Music Festival Koblenz (IMUKO).
During the 2025/2026 and 2026/2027 seasons, his international schedule is especially prominent: performances at Hamburg’s Elbphilharmonie, Berlin Philharmonie, Cologne Philharmonie, Zurich Tonhalle, Tokyo Suntory Hall, Amsterdam Concertgebouw, as well as a return to New York’s Lincoln Center and debut with the NCPA Orchestra in Beijing.
His recent discography includes the album *Dvořák*, released by Berlin Classics in 2024 with Cristian Măcelaru, the Romanian Chamber Orchestra, and Danae Dörken; and the Brahms sonatas recorded with Yu Kosuge (Sony, 2023).
He has also recorded Bach’s complete Cello Suites; his recordings have received accolades including the OPUS Klassik Award and the Supersonic Award.
Klöckner studied at the Hochschule für Musik Karlsruhe with Martin Ostertag and at the Kronberg Academy with Frans Helmerson and Gary Hoffman. He currently teaches at the École Normale de Musique de Paris.
He performs on the “Ex Maurice Gendron” cello, built by Francesco Ruggeri in 1680.
Committed to contemporary creation, he has premiered works by Wolfgang Rihm, Eun Hwa Cho, Eric Tanguy, and Dai Fujikura in major international concert contexts.
MARGARITA BALANAS. Guest Conductor
Latvian cellist and conductor Margarita Balanas has established herself as one of the most distinctive musicians of her generation, performing at Carnegie Hall, Berliner Philharmonie, Royal Albert Hall, Royal Festival Hall, Wigmore Hall, Sydney Opera House, Fondation Louis Vuitton, and L’Auditori in Barcelona.
She is a recipient of Latvia’s Grand Music Prize and has appeared as soloist with the Munich Philharmonic, Barcelona Symphony Orchestra, and Royal Liverpool Philharmonic Orchestra, as well as participating in festivals including the Dresden Music Festival, Shanghai International Cello Festival, Moritzburg Festival, and Radio France Occitanie Montpellier Festival.
She is an artist of Decca Classics; together with her sister, violinist Kristine Balanas, she released *Castillo Interior* by Pēteris Vasks. She has also collaborated closely with Anne-Sophie Mutter and the Mutter Virtuosi.
Balanas is a pioneering figure in orchestral conducting: the first woman symphony conductor of Latvia, founder and artistic director of ANONIMI Orchestra and Charity, and former assistant conductor to Paavo Järvi with the Tonhalle-Orchester Zürich (2023/24 and 2024/25 seasons).
She plays the 1849 Charles-Adolphe Gand “Auguste Tolbecque” cello, loaned by The Little Butterfly Foundation—the same instrument used for the 1873 premiere of Saint-Saëns’s Cello Concerto No. 1.
Born in Dobele, Latvia, without a family tradition in classical music, she began singing rock ‘n’ roll with her family and busking on the streets with her brothers to help fund instruments and travel.
At age 15, she received a full scholarship to the Purcell School, later studying cello and conducting at the Royal Academy of Music in London, where she was awarded the Bicentenary Scholarship.
Artistically mentored by Lynn Harrell and selected for Gautier Capuçon’s *Classe d’Excellence de Violoncelle*, her extraordinary journey spans from the streets of Latvia to the world’s greatest concert halls.